Pierre Suremont (1762-1831): a forgotten Antwerp composer

A research project by Jan Dewilde & Stijn Saveniers — Ewald Demeyere (supervisor)

2016

Page of symphony sheet music titled "Symphonie" composed by Pierre Sumeront. The music includes parts for flute, oboe, clarinet, bassoon, and horns, with tempo marking "Largo maestoso".
A middle-aged man with gray hair and a goatee smiling at the camera, wearing a black collared shirt, standing against a plain white wall.

Pierre Suremont (1762–1831): a forgotten Antwerp composer is a research project of the Royal Conservatoire of Antwerp, built around the extensive collection of autograph manuscripts that the Conservatoire library preserves under his name. Though almost entirely unknown today – to the wider public and to specialists alike – Suremont was a figure of real standing in his time. A successful Antwerp merchant who found in composition his artistic outlet, he spent two decades in Brussels before returning to his native city in 1806, where he produced large-scale masses and festive psalm settings for the cathedral, prize-winning cantatas on Dutch texts, a three-act opera, a symphony, and works for the military wind bands of the Dutch garrisons. He was also a pioneering music historian, among the first to champion the medieval and Renaissance masters we now call the Flemish polyphonists.

The project examines the individuality of Suremont's oeuvre and the place he occupied in local, national and international musical life. Working from the autograph sources and contemporary external documents, it reconstructs his biography, compiles an oeuvre list, and studies his scores, publishing a representative selection in a critical edition, returning to circulation a composer whose work has lain silent for the better part of two centuries.

Publications